{"id":370,"date":"2025-04-08T15:01:30","date_gmt":"2025-04-08T18:01:30","guid":{"rendered":"https:\/\/www.ufpb.br\/gcet\/?page_id=370"},"modified":"2026-05-18T19:18:15","modified_gmt":"2026-05-18T22:18:15","slug":"artigo-turismo-cinematografico-e-dark-tourism","status":"publish","type":"page","link":"https:\/\/www.ufpb.br\/gcet\/artigo-turismo-cinematografico-e-dark-tourism\/","title":{"rendered":"ARTIGO &#8211; Turismo Cinematogr\u00e1fico e Dark Tourism"},"content":{"rendered":"\n<ol class=\"wp-block-list\">\n<li><strong><a href=\"https:\/\/www.ufpb.br\/gcet\/wp-content\/uploads\/sites\/79\/sites\/273\/2025\/04\/HARRY_POTTER_E_O_PERFIL_DO_TURISTA_CINEM.pdf\" data-type=\"link\" data-id=\"https:\/\/www.ufpb.br\/gcet\/wp-content\/uploads\/sites\/79\/sites\/273\/2025\/04\/HARRY_POTTER_E_O_PERFIL_DO_TURISTA_CINEM.pdf\">HARRY POTTER E O PERFIL DO TURISTA CINEMATOGR\u00c1FICO BRASILEIRO HARRY POTTER AND THE BRAZILIAN FILM TOURIST PROFILE HARRY POTTER Y EL PERFIL DEL TURISTA CINEMATOGR\u00c1FICO BRASILE\u00d1O<\/a><\/strong><\/li>\n\n\n\n<li><strong><a href=\"https:\/\/www.ufpb.br\/gcet\/wp-content\/uploads\/sites\/79\/sites\/273\/2025\/04\/Atuacao_Institucional_do_Desenvolvimento.pdf\" data-type=\"link\" data-id=\"https:\/\/www.ufpb.br\/gcet\/wp-content\/uploads\/sites\/79\/sites\/273\/2025\/04\/Atuacao_Institucional_do_Desenvolvimento.pdf\">Atua\u00e7\u00e3o Institucional do Desenvolvimento do Turismo Cinematogr\u00e1fico: Uma an\u00e1lise da regi\u00e3o sul do Brasil Institutional Performance in the Development of Cinematographic Tourism: An analysis of the South region of Brazil<\/a><\/strong><\/li>\n\n\n\n<li><strong><a href=\"https:\/\/www.ufpb.br\/gcet\/wp-content\/uploads\/sites\/79\/sites\/273\/2025\/04\/PLACE_BRANDING_PERNAMBUCO_ANALYSIS_OF_TH.pdf\" data-type=\"link\" data-id=\"https:\/\/www.ufpb.br\/gcet\/wp-content\/uploads\/sites\/79\/sites\/273\/2025\/04\/PLACE_BRANDING_PERNAMBUCO_ANALYSIS_OF_TH.pdf\">PLACE BRANDING PERNAMBUCO: ANALYSIS OF THE FEELINGS OF THE USERS THROUGH INSTAGRAM HASHTAGS<\/a><\/strong><\/li>\n\n\n\n<li><strong><a href=\"https:\/\/www.ufpb.br\/gcet\/wp-content\/uploads\/sites\/79\/sites\/273\/2025\/04\/TURISMO_SOMBRIO_UMA_REVISAO_SISTEMATICA.pdf\" data-type=\"link\" data-id=\"https:\/\/www.ufpb.br\/gcet\/wp-content\/uploads\/sites\/79\/sites\/273\/2025\/04\/TURISMO_SOMBRIO_UMA_REVISAO_SISTEMATICA.pdf\">TURISMO SOMBRIO UMA REVIS\u00c3O SISTEM\u00c1TICA DA LITERATURA NO CONTEXTO BRASILEIRO<\/a><\/strong><\/li>\n\n\n\n<li><strong><a href=\"https:\/\/www.ufpb.br\/gcet\/wp-content\/uploads\/sites\/79\/sites\/273\/2025\/04\/Bem_vindo_ao_Recife_Assombrado_uma_anali.pdf\" data-type=\"link\" data-id=\"https:\/\/www.ufpb.br\/gcet\/wp-content\/uploads\/sites\/79\/sites\/273\/2025\/04\/Bem_vindo_ao_Recife_Assombrado_uma_anali.pdf\">Bem-vindo ao Recife Assombrado: uma an\u00e1lise da potencialidade \u00e0 promo\u00e7\u00e3o do Dark Tourism em Recife-PE Welcome to Haunted Recife: an analysis of the potential to promoting Dark Tourism in Recife-PE, Brazil<\/a><\/strong><\/li>\n\n\n\n<li><strong><a href=\"https:\/\/www.ufpb.br\/gcet\/wp-content\/uploads\/sites\/79\/sites\/273\/2025\/04\/LITERARY_TOURISM_AND_HEDONICAL_PURCHASE.pdf\" data-type=\"link\" data-id=\"https:\/\/www.ufpb.br\/gcet\/wp-content\/uploads\/sites\/79\/sites\/273\/2025\/04\/LITERARY_TOURISM_AND_HEDONICAL_PURCHASE.pdf\">LITERARY TOURISM AND HEDONICAL PURCHASE VALUE FROM THE HARRY POTTER SAGA<\/a><\/strong><\/li>\n\n\n\n<li><strong><a href=\"https:\/\/www.ufpb.br\/gcet\/wp-content\/uploads\/sites\/79\/sites\/273\/2025\/04\/I_think_I_saw_a_ghost_The_potential_for.pdf\" data-type=\"link\" data-id=\"https:\/\/www.ufpb.br\/gcet\/wp-content\/uploads\/sites\/79\/sites\/273\/2025\/04\/I_think_I_saw_a_ghost_The_potential_for.pdf\">&#8220;I think I saw a ghost&#8221;: The potential for fright tourism in the city of Jo\u00e3o Pessoa -PB<\/a><\/strong><\/li>\n\n\n\n<li><a href=\"https:\/\/www.ufpb.br\/gcet\/wp-content\/uploads\/sites\/79\/sites\/273\/2025\/04\/THE_NORTHEASTERN_ROLL_AND_CINEMATOGRAPHI.pdf\"><strong>THE NORTHEASTERN ROLL AND CINEMATOGRAPHIC TOURISM<\/strong><\/a><\/li>\n\n\n\n<li><a href=\"https:\/\/www.ufpb.br\/gcet\/wp-content\/uploads\/sites\/79\/sites\/273\/2025\/04\/Marketing_territorial_para_a_atracao_de.pdf\"><strong>Marketing territorial para a atra\u00e7\u00e3o de produ\u00e7\u00f5es audiovisuais: Um estudo das Film Commissions de S\u00e3o Paulo e Rio de Janeiro<\/strong><\/a><\/li>\n\n\n\n<li><a href=\"https:\/\/www.ufpb.br\/gcet\/wp-content\/uploads\/sites\/79\/sites\/273\/2025\/04\/Titulo_do_Trabalho_Producao_internaciona.pdf\"><strong>Produ\u00e7\u00e3o internacional sobre turismo cinematogr\u00e1fico: estudo bibliom\u00e9trico de 1990 a 2019<\/strong><\/a><\/li>\n\n\n\n<li><a href=\"https:\/\/www.ufpb.br\/gcet\/wp-content\/uploads\/sites\/79\/sites\/273\/2025\/04\/Atracao_de_producoes_audiovisuais_e_dese.pdf\"><strong>Atra\u00e7\u00e3o de produ\u00e7\u00f5es audiovisuais e desenvolvimento do turismo cinematogr\u00e1fico: uma an\u00e1lise da Rio Film Commission e da S\u00e3o Paulo Film Commission<\/strong><\/a><\/li>\n\n\n\n<li><a href=\"https:\/\/www.ufpb.br\/gcet\/wp-content\/uploads\/sites\/79\/sites\/273\/2025\/04\/Cinema_e_turismo_em_Cabaceiras_uma_anali.pdf\"><strong>Cinema e turismo em Cabaceiras: uma an\u00e1lise da atua\u00e7\u00e3o dos agentes p\u00fablicos no desenvolvimento do turismo cinematogr\u00e1fico<\/strong><\/a><\/li>\n\n\n\n<li><a href=\"https:\/\/www.ufpb.br\/gcet\/wp-content\/uploads\/sites\/79\/sites\/273\/2025\/04\/BEM_VINDO_AO_RECIFE_ASSOMBRADO_Uma_anali.pdf\"><strong>BEM-VINDO AO RECIFE ASSOMBRADO: Uma an\u00e1lise da potencialidade a promo\u00e7\u00e3o do Dark Tourism em Recife-PE<\/strong><\/a><\/li>\n\n\n\n<li><a href=\"https:\/\/www.ufpb.br\/gcet\/wp-content\/uploads\/sites\/79\/sites\/273\/2025\/04\/Diagnostico_turistico_a_partir_da_analis.pdf\"><strong>Diagn\u00f3stico tur\u00edstico a partir da an\u00e1lise SWOT no Rota Cultural do Dark Tourism na cidade de Cabedelo (PB)<\/strong><\/a><\/li>\n\n\n\n<li><a href=\"https:\/\/www.ufpb.br\/gcet\/wp-content\/uploads\/sites\/79\/sites\/273\/2025\/04\/STRATEGIES_ADOPTED_DURING_THE_COVID_19_P.pdf\"><strong>STRATEGIES ADOPTED DURING THE COVID 19 PANDEMIC IN THE DEVELOPMENT OF FILM TOURISM: THE CASE OF NORTHEASTERN ROLI\u00daDE, CABACEIRAS \/ PB \/ BRAZIL<\/strong><\/a><\/li>\n\n\n\n<li><a href=\"http:\/\/www.ufpb.br\/gcet\/wp-content\/uploads\/sites\/79\/sites\/273\/2026\/05\/TOURISM_AND_CINEMA_BIBLIOMETRIC_ANALYSIS.pdf\">TOURISM AND CINEMA: BIBLIOMETRIC ANALYSIS OF THE FIRST THREE DECADES OF SCIENTIFIC PRODUCTION\/ TURISMO E CINEMA: AN\u00c1LISE BIBLIOM\u00c9TRICA DAS TR\u00caS PRIMEIRAS D\u00c9CADAS DA PRODU\u00c7\u00c3O CIENT\u00cdFICA<\/a><\/li>\n<\/ol>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":244,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-370","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.ufpb.br\/gcet\/wp-json\/wp\/v2\/pages\/370","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.ufpb.br\/gcet\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.ufpb.br\/gcet\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.ufpb.br\/gcet\/wp-json\/wp\/v2\/users\/244"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ufpb.br\/gcet\/wp-json\/wp\/v2\/comments?post=370"}],"version-history":[{"count":17,"href":"https:\/\/www.ufpb.br\/gcet\/wp-json\/wp\/v2\/pages\/370\/revisions"}],"predecessor-version":[{"id":2118,"href":"https:\/\/www.ufpb.br\/gcet\/wp-json\/wp\/v2\/pages\/370\/revisions\/2118"}],"wp:attachment":[{"href":"https:\/\/www.ufpb.br\/gcet\/wp-json\/wp\/v2\/media?parent=370"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}